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Daniel
TAPE OP – BLACK LION AUDIO REVOLUTION 2×2 REVIEW
“The Revolution 2×2 is a badass little box!” – @tapeopmag Read review here: https://tapeop.com/reviews/gear/145/revolution-2×2-audio-interface/ “All in all, the Revolution 2×2 is a sweet little studio…
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Royce Richmond
MUSIC RADAR – 4 1/2 STARS! BLACK LION AUDIO REVOLUTION 2×2 REVIEW!
“Quality audio is at the heart of the Black Lion ethos. Here we put its first fully fledged audio interface…
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Royce Richmond
Inside Audio Review: Black Lion Revolution 2×2 Audio Interface
Inside Audio Review: Black Lion Revolution 2×2 Audio Interface “Black Lion Audio has a really great audio interface. Really good…
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Royce Richmond
Amazona.de – Revolution 2×2 Product Review & Sound Samples
“The Revolution 2 × 2 impresses in a direct comparison with its competitors with a higher sound quality. Very transparent…
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Royce Richmond
Canadian Musician Takes The Revolution 2×2 On A Road Test
“With the Revolution 2×2, Black Lion Audio’s first foray into the audio interface conversation has yielded a triumphant return. While…
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Royce Richmond
Revolution 2×2 Review by Showtime Solutions TV
PRODUCT REVIEW! Showtime Solutions TV reviews the Revolution 2×2 by Black Lion Audio. “I believe the headphone amplifier by itself,…
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Royce Richmond
SHOOTOUT! BLA B12A MKIII vs. B173 MKII
SHOOTOUT! BLA B12A MKIII vs. B173 MKII The Black Lion Audio B12A MKIII & B173 MKII are great sounding Neve…
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Royce Richmond
Sound On Sound reviews the Revolution 2×2!
Sound On Sound reviews the Revolution 2×2! Read review here: Black Lion Audio Revolution 2×2 (soundonsound.com) “It’s a fact of…
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Royce Richmond
Tape Op Review – Black Lion Audio – B12A MKIII Preamp
Tape Op Review – Black Lion Audio – B12A MKIII Preamp “If you’re someone who’s looking for a classically American…
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Royce Richmond
Product Review // Black Lion Audio Bluey // Sound On Sound Magazine ~ By Neil Rogers
Chris Lord-Alge, aka CLA, must be one of the most recognisable figures in the world of music production. His confident, concise mixing style has graced countless hit records, seen him win multiple Grammys and earned the respect of his peers. Something very important to CLA’s ‘sound’ is his use of compression, and if you look at images of his Mix LA studio, you can’t fail to notice his enviable selection of outboard compressors. Among these, he has several of the ‘Blue Stripe’ versions of the UA 1176 FET limiting amplifier. These ‘Blue Stripe’ compressors were the earliest ‘revisions’ of the famous Universal Audio 1176 — head to UA’s website for more detail on the different revisions: www.uaudio.com/blog/1176-la2a-hardware-revision-history. CLA favours one particular unit, which he feels exhibits a little more ‘mojo’ than the others and which he estimates has been used on over 14,000 vocal recordings!
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