The B173 Quad (four channel mic pre) packs a massive punch, delivering the muscular lows, assertive mids, and glossy highs characteristic of a vintage 1073 in a budget-friendly 2RU unit. The B173 Quad features high-end parts and discrete Class A circuitry with transformer-coupled input and output stages. With 70dB of gain on tap, the B173 Quad serves up heaping portions of low-noise headroom. Now you’ll finally be able to use your low-output ribbon mics on quiet sources! The B173 Quad imparts a bold sonic assertiveness that beefs up any signal you pass through it.
The B173 Quad is a 4-channel version of the legendary single-channel model. More than just another 1073 clone, the B173 Quad combines vintage-inspired sonics and modern features in a rugged 2RU chassis with a smart feature set that will satisfy the most demanding audio engineers. A revised gain stage and lower noise floor deliver cleaner sound with lower distortion, while CineMag input and output transformers keep things warm, creamy, and beefy. Two front-panel DIs impart harmonic richness to guitars, basses, and synths, while stepped input gain and variable output attenuation give you exacting control over transformer saturation.
Legendary vintage British console mic preamp, the 1073, the B173 Quad packs a massive punch, delivering the muscular lows, assertive mids, and glossy highs characteristic of a vintage 1073 in a budget-friendly 2RU unit. The B173 Quad features high-end parts and discrete Class A circuitry with transformer-coupled input and output stages. With 70dB of gain on tap, the B173 Quad serves up heaping portions of low-noise headroom. Now you’ll finally be able to use your low-output ribbon mics on quiet sources! The B173 Quad imparts a bold sonic assertiveness that beefs up any signal you pass through it.
Features • 4-channel preamp with USA CineMag input and output transformers
• Designed and assembled in the USA
• Bandwidth (1kHz, 150Ω unbalanced source, unweighted): 10Hz–30kHz
• 70dB of gain handles any type of microphone, including low-output ribbons
• Per-channel gain and output controls, phantom power, polarity reverse
• DI input and hi-Z switch on channels 1 and 2
The Auteur Quad is the four channel microphone preamplifier version rack mount of our ever popular Auteur MK2 mic pre. The Auteur has become a studio staple over the last decade and is know for its fast, transparent IC based front end while also providing a fat, colorful back end via edcor transformers. This mixture of vintage and modern design approaches has led the Auteur to be known as the “Swiss army knife of preamps” that sounds great on everything. It especially shines on sources that require detail but also benefit from some thickness such as drums or vocals. Some of the major additions to the Quad over the 2 channel half rack unit would be the all new meters on all four channels as well as borrowing the loved DI circuit from our 500 series Auteur on the first 2 channels. This feature set as well as channel count gives you one of the most affordable preamps in the world at an unbelievable price
The Auteur has been a staple preamp in studios around the world for many years. It has become the go-to choice for bridging the gap between clean, transparent preamps and those with lots of color and bite. The Auteur MKII is the next step in perfecting this combination of vintage and modern sound at an affordable price!
Black Lion Audio has been known and trusted for years as the go-to masters of audio equipment modification — taking gear to new heights with uncompromising mods. Years of preamplifier modification have culminated into their own offering of Chicago-style sonic bliss: the Auteur mkIII — 2 channels of fast response, with fat low-end sound.
Meet the Black Lion Audio B173 mkII — the most portable 1073 British-sound around! The B173 mkII uses the same Cinemag input and output transformers as our B173 Quad for a whopping 70dB of gain, a revamped gain stage, and a lower noise floor for cleaner, lower distortion sound. A front panel D.I. delivers a harmonically rich tone to guitars, keyboards, and synthesizers, and stepped input gain and variable output attenuation allow for perfect control over transformer saturation.