What’s most fascinating about this clock is that nearly everything we hooked it up to sounded great. We clocked an older Pro Tools rig (with the outdated Digidesign 192 Digital I/O) to the Micro Clock MkIII – sounded much better. A Forssell mastering converter — sounded great, though not better. My Aurora Lynx mix rig — sounded great, and better. The new Dangerous Music Convert-8 [reviewed in this issue] — sounded great, though not better. Obviously, we didn’t try every combination known, but the consistency of the sound with the Micro Clock MkIII was impressive. A solid center image, big bass, and a depth to the soundstage that’s typical of excellent, low-jitter clocking. We walked away saying, “That’s a great little clock!”
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